Thanks to Linda Leinen over at Shoreacres, for providing the inspiration – via her wonderful piece on herons and poetry – for re-publishing this post. Enjoy!
I love herons. Their elegance: long, lean, streamlined curves over water, poised, waiting. Their focus: totally in the moment, poised, waiting….to strike sharp and swift. I love their languid flight: long wings lazily beating, slow concentrated strength and grace.
We live in Glasgow, Scotland – UK city with the most green space. Our flat overlooks the river Kelvin which flows through the West End’s Botanic Gardens. On the riverbank, throughout the Gardens, all kinds of wildlife abound: amongst the over-fed pigeons and importunate grey squirrels the occasional kingfisher, an otter once seen on Boxing Day, sometimes a cormorant or two – and several herons taking up favourite positions along the river bank. The fish ladder by the weir is a choice spot of theirs. Another pitch is partly concealed by vegetation, right below the Humpbacked Bridge leading to steep steps rising to the upper, more cultivated part of the Botanic Gardens.
Most days, I take a well-travelled route down from our house – crossing the Humpbacked Bridge, up the steps, through the Botanics past the newly-refurbished Kibble Palace. This splendid circular, domed Victorian glass house hosts fine sculptures, elegant glass panels, a well-stocked pond – with some very old fishy friends adept at dodging the coins and wishes raining down on them on a regular basis – and a wonderfully displayed selection of plants and flowers from many parts of the world. It is a local jewel.
Strolling around those familiar, well-loved landmarks, I always enjoy occasional sightings of the heron. We can never decide how many herons there are of the same age and appearance. Maybe we are seeing the same one, over and over? Conversations like this weave together a very disparate, loose group of park regulars of all ages with a variety of views and opinions about the Botanic Gardens’ wild creatures. But the heron is a favourite; we always report sightings to one another.
We are inured to plentiful rain and bad weather as the default position for our local climate; stepping out into a pleasant, crisp, sunny morning is therefore an immediate delight, especially with the Botanics in full autumn colours, carpets of leaves everywhere – if you get out early enough, before the park attendants with their noisy leaf-blowing machines get going!
Whilst appreciating this beautiful autumnal morning, my head was also full of the usual thought traffic as I contemplated the day ahead. The Buddhists speak the truth: we are only ever partly here. In each waking moment of our short, precious lives, we are usually distracted by something or other from being fully present. Thus we rarely savour fully the Holy Dharma of this very moment which will never come again.
Suddenly, my attention was totally focused on a sight I had never seen before. The heron was perched in full view, half way along the left-hand side of the Humpbacked Bridge!
I stopped dead. Most unusually at half past nine on a weekday morning, there was no-one in sight. “Should I stay watching right here, or try to creep closer?” I wondered, full of excitement and apprehension. Deciding on the latter option, I tiptoed very very slowly onto the eight-foot wide bridge, veering to the right in order to edge along the opposite side of the bridge to the heron.
The wild creature seemed absorbed in his own surveillance operation, long elegant neck moving slowly from side to side, eyes glinting in the morning light reflected off the quietly flowing river. Whether he had spotted me or not, he was paying me no attention. Barely able to believe my luck, I inched along extremely quietly until – to my great amazement – I was level. We were only a bridge width apart. Never in my life before had I been so close to such a large wild bird.
The morning was still. The heron, briefly, was still. I was still. The Holy Dharma moved with the air currents across the bridge, the heron and me. All was One.
Japanese Heron Painting
Hours might have passed. It was probably less than a minute. I caught a flicker of movement out of the corner of my left eye. A slender young man dressed all in black, carrying a rucksack, i-pods in his ears, was rapidly approaching the bridge. Stealthily, I crept forward a couple of feet, heading off the bridge toward the steps, still hugging the side opposite the heron. He still didn’t budge. For a fleeting moment I thought “Anne, that wild creature is tuned to you. He can feel your goodwill….” Then the rationalist dismissed such a thought. Still….
The young man was about to step through the gate onto the bridge. I held my finger to my lips, indicating silence; with my other hand palm up, I signalled to stop, waving him over to my side of the bridge – hoping this unknown young man might share a rare experience. But he ignored me. As he marched past us the heron took off, winging his lazy languid way downriver. Waving goodbye, I stood for a moment – partly watching the heron, partly watching the young man’s back as he tramped up the stairs.
In that moment I truly felt the force of life’s duality: on the one hand, such gratitude and joy that the heron and I had shared a pure, holy moment of Oneness. On the other, deep sadness that the young man, shut in with his technology, had missed it. Carl Jung’s comment, which comes to me often, came to me then: “Our task in this life is to reconcile the opposites”…..
….and a ps to this story….a couple of weeks later, I was strolling home through the Botanics by the river Kelvin on my way home, having spent the afternoon at my office writing the first draft of this article which was in my bag.There on the riverbank, in places where I had never seen them before, were – to my amazement and delight – two herons….
1000 words copyright Anne Whitaker 2008/12
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